Inverted doki doki literature club where you think you’re playing a psychological horror game but it is slowly revealed to be an upbeat dating sim/visual novel
I thought I was playing silent hill but suddenly pyramid head asked me on a date.
Honestly nothing would make me happier than a big scary monster poping out from around a corner only to blush and offer me some of the snacks i mentioned liking in a previous level.
Guillermo I know it’s you
“And I would have gotten away with with it if it wasn’t for you kinkshaming kids”
Peter B Parker was just minding his business depression eating when he got transported into another dimension for a life changing and affirming healing experience.
“As the Bechdel Test began to creep into the sightline of mainstream movie criticism, it was notable to see the surprise of some male critics that their favorite movies—One Flew Over the Cuckoo’s Nest, Goodfellas, The Princess Bride, Clerks, the original Star Wars trilogy, the entire Lord of the Rings trilogy, and even Tootsie, when you get right down to it—so soundly flunked it. For many women, the reaction was more of a shrug, along with relief that, finally, there was a simple way to help writers and directors step over an embarrassingly low baseline. To be clear, applying the rule isn’t about snatching away the well-earned status of Raging Bull or The Godfather or even This Is Spinal Tap. As Anita Sarkeesian, creator of the Web site Feminist Frequency, noted in a 2009 video about the rule, “It’s not even a sign of whether it’s a feminist movie, or whether it’s a good movie, just that there’s a female presence in it.” The latter point is something that many people fail to grasp when trying to explain away why their favorite movies don’t pass the test (“But Batman is the hero of the movie! Of course the women characters are going to talk about him!”): the Bechdel Test is not a judgment of quality or nuance. After all, the beautiful, moving Gravity fails the test, while a formulaic rom-com like 27 Dresses passes with no problem. But the test itself is a simple, bloodless assessment of whether female characters are deemed important to a story—and a way to conclude that, most of the time, they aren’t.”
— We Were Feminists Once: From Riot Grrrl to CoverGirl®, the Buying and Selling of a Political Movement (Zeisler, Andi)
This makes me happy that it has an explanation, because too many people misunderstand the point of the test. “It sets the bar too low!” They say. That’s the point. It’s the lowest bar possible and many movies can’t pass it.
